Persuasive Speech Do Video Games Trigger Off More Violence

Persuasive Speech: Do Video Games Trigger Off More Violence? The more elaborate and violent video games are getting, the more often can you hear an opinion that playing them is detrimental to the teenagers’ mental health and makes them more aggressive in real life. In fact, this suggestion is far-fetched and does not hold water, as there is no evidence to support it. First of all, the majority of surveys that were carried out to clarify this hot issue do not show that video games have adverse effects on our psyche and are more dangerous, than, for instance, films, books or some typical role games that children play outside. Boys have always enjoyed aggressive games like imitating a police pursuit or a war battle, but it doesn’t mean that they do not see the boundaries between the real world and the game world.What is more, according to Patrick Kierkegaard of the University of Essex, England, there is no evident connection between violence statistics figures and the appearance of video games. He claimed that considering soaring sales of video games, the violence figures should also be rocketing, but violence, especially among the young, has decreased. The opponents of the video games might remind us of the campus shootings in the USA, the initiators of which were gamers. However, there is no evidence to suggest that video games were the mai n factor that affected their mental stability and urged them to commit those outrageous crimes. Moreover, the overwhelming majority of young game players are law-abiding citizens. On balance, the allegation that video games are the main factor that causes young people to be aggressive appears to be ungrounded and biased. Mass media’s frequent speculations on this topic distract our attention from the actual causes of violence and let the problem get worse.

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A Brief and Simple Analysis of Chapter Two of Grendel Free Essays

(Beginning in paragraph two of Chapter 2, and continuing throughout the chapter, Grendel describes how he used to be as a child. How does this description compare or contrast with the behavior of the humans when they are fully-grown? ) In chapter two of Grendel, John Gardner takes the readers into a deeper aspect of Grendel’s life. Most specifically, this chapter revolves around the childhood life of Grendel. We will write a custom essay sample on A Brief and Simple Analysis of Chapter Two of Grendel or any similar topic only for you Order Now Readers are able to access the mind of Grendel as a child, through a chapter that is almost entirely structured as a flashback to the situation that, arguably, may have transformed the typical ‘kid’ into the man-eating beast one was introduced to in Beowulf. However, Grendel isn’t to blame for his future actions, for his entire existence was tarnished when his young, impressionable mind was altered. Grendel’s innocence as a child was robbed, as with all children, when a new understanding of the world’s harshness was grasped. It almost seems, however, that Grendel’s behavior as a child is mirrored in the â€Å"fully-grown and adult† humans he despises so much. Throughout the chapter, Grendel seems to place himself on a risen, intellectual pedestal, with the humans he deems childish roaming blindly and stupidly hopeful far below. As observed through history, the Anglo Saxons were a war like people, with religious seafaring clans that pledged themselves to an invisible greater-power and who traveled far and wide in their seafaring explorations. These traits are identical to Grendel’s memories about his childhood, â€Å"I used to play games when I was young†¦. explored our far-flung underground world†¦.. an endless wargame of leaps†¦whispered plotting with invisible friends†¦childish games†¦Ã¢â‚¬ . When Grendel looks out to the humans, he can’t help but recognize his own childhood ways in their lifestyle. The humans’ endless praying and constant adventure is laughable in Grendel’s eyes because it reminds him of his own past existence before his hope and innocence were tarnished by the daunting reality of an unpromising life. Grendel’s attacks may not have been to hurt the humans for the heck of it, but rather, Grendel may have seen it as helping the humans into escaping an oblivious life, just as the humans did to Grendel when he was a child. It may be here that Grendel’s anger arises; Grendel absolutely knows his childhood was robbed from him, and it becomes his duty to enlighten the stupidly arrogant humans to recognize their true existence as well. The humans, as we all know well to much, seem to be stuck in an endlessly spinning cycle of pointlessness and Grendel is the third person outsider who wants to bring upon the harsh reality of life. On page seventeen, Grendel states â€Å"the shocking separateness from me in my mother’s eyes†¦. [I would] hurl myself at my mother†¦comforted, I would gradually ease back out into my games. †. Grendel’s feelings of uneasiness and misunderstandings are eased almost immediately with a hug from his mother, consoled with the love and connection of another. As an adult, Grendel almost despises such comfort, growing obviously angry with the immediate comfort of the humans with the passing of a clan member with the simple thoughts of unification and the extension of life. Grendel lost that sense of spirituality and companionship, and seems to deem it childish and almost unnecessary as an adult. We see Grendel as an independent being in Beowulf, and his murders are controlled in an area where companionship and joy are absolute and strong; the mead hall. It is more than a coincidence that Grendel chose to destroy the heart of the Anglo Saxon community, for he wished to destroy the hearts of the people. His continuation of destruction for what were the next twelve years were not because he enjoyed the killing and eating of the men (because it was stated that he didn’t) but because he realized that the hopefulness and unification of the community would not back down. Grendel’s own childish ways are exhibited here, for he continues his persistence until he can no longer. In Grendel’s eyes, Grendel is a monster who, almost as the Anglo Saxons believed, has grown wiser and more knowledgeable with the endless spinning of life he so ardently chooses to misinterpret. In chapter two, Grendel fixes himself far from the humans that he seems to understand so fully. In fact, Grendel himself is a child who lost his innocence and optimism so abruptly that he didn’t recognize it. Grendel is angry and jealous of the humans because he sees in them the traits that he possessed when his life posed meaning. Grendel became a nihilist, to some extent, because he decided to reject the life and being he was becoming. He instead chose to isolate himself so dangerously from his feelings that he had no other option but to inevitably give in to what he thought he should become. Upon the arrival of his death, Grendel was experiencing was seemed to be a type of mid-life crisis that developed from his childhood, or rather because of its absence. How to cite A Brief and Simple Analysis of Chapter Two of Grendel, Papers

Metaphysical poetry and the Concept of Carpe Diem Essay Example For Students

Metaphysical poetry and the Concept of Carpe Diem Essay Challenge conventions and conservative ideology are common preoccupations of artists and Just as Done champions the libertine ideal in To His Mistress Going to Bed, so Marvels To His Coy Mistress celebrates the metaphysical belief of Carper diem or grasping the day. Both poets see man as a spontaneous and pragmatic being, destined to live one life only and needing to make the most of it. This need to satisfy ones earthly urgings is most clearly expressed by Marvel. In To his Coy Mistress Marvel presents to his lover an argument for lowering her defenses and to give free reign to her desires, while at the same time allowing him to satisfy his own. The poet argues that coyness is, in fact, criminal since we are not alive long. The long, drawn-out vowel sounds of the opening stanza our long loves day; mimics the painful process of his mistresses refusal and a series of ironic references underscores his frustration. An allusion to the conversion of the Jews foregrounds that her preciousness will go on forever, and among other biblical references becomes a surprising mechanism to persuade her to yield up to him her virginity. In the seventeenth century, we might have expected the opposite! A further technique used to this end is that of the traditional blazon, but again the convention takes on an unconventional twist. Instead of a discreet head-to-toe description, Marvel focuses his attention on his womens breast and nether regions: An hundred years should go to praise Thin eyes and on thy forehead gaze; Two hundred years to adore each breast But thirty thousand to the rest At the next stanza, Marvel plunges into a metaphysical conceit; that is, a couplet reminding us of our mortality: And at my back / Hurrying near. The conditional but serves as a structural and rhetorical hinge in the poem contrasting indefinite patience and naive virtue against our march to a certain death And the very next couplet presents a sobering reminder of the permanence of this: And yonder Lie/Deserts Eternity. The prospect of death, proposed by Marvel through the metaphor of a marble vault, is an attempt to convince the woman that her decision to conserve her virginity is a wasteful one. The option is also made distasteful through the phallic reference of worms trying her long preserved virginity. This is where Marvel attempts to highlight the folly of holding out and signals the ideal of Carper Diem introduced in the opening stanza. The final stanza provides a positive solution to the robbers stated in the previous one. His answer to death and mortality is passion. Marvels solution involves living the now as though life is short; to act instead of waiting. By personifying time, Marvel places desire into perspective. The satisfaction of primal urgings is a means of escaping the inevitable: Thus, though we cannot make our sun Stand still, yet we will make him run. This need to quench ones lust in order to truly live is similarly portrayed in Donnas To His Mistress Going to Bed. In order to make himself as appealing to her as she is to him, and in order to serve is wishes, Done aims to praise his mistresses beauty and intellect. Done shows his lady that the game is over; that he has waited long enough to have her. He uses the comparison of his waiting to that of a woman in labor. All rest my powers defy Until I labor, in labor I lie This argument is not meant to be blunt, and Done emphasizes his more sophisticated approach through the use of suggestive words such as rest and lie. .u92a2b1eb731f6881dd52ae0d01fcfd0a , .u92a2b1eb731f6881dd52ae0d01fcfd0a .postImageUrl , .u92a2b1eb731f6881dd52ae0d01fcfd0a .centered-text-area { min-height: 80px; position: relative; } .u92a2b1eb731f6881dd52ae0d01fcfd0a , .u92a2b1eb731f6881dd52ae0d01fcfd0a:hover , .u92a2b1eb731f6881dd52ae0d01fcfd0a:visited , .u92a2b1eb731f6881dd52ae0d01fcfd0a:active { border:0!important; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .clearfix:after { content: ""; display: table; clear: both; } .u92a2b1eb731f6881dd52ae0d01fcfd0a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u92a2b1eb731f6881dd52ae0d01fcfd0a:active , .u92a2b1eb731f6881dd52ae0d01fcfd0a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .centered-text-area { width: 100%; position: relative ; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u92a2b1eb731f6881dd52ae0d01fcfd0a:hover .ctaButton { background-color: #34495E!important; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u92a2b1eb731f6881dd52ae0d01fcfd0a .u92a2b1eb731f6881dd52ae0d01fcfd0a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u92a2b1eb731f6881dd52ae0d01fcfd0a:after { content: ""; display: block; clear: both; } READ: Poem Analysis: â€Å"Facing West from California’s Shores† by Walt Whitman EssayThey not only point to coitus but slow down the pace of the poem and set the female on the back foot as the attack begins. In this second stanza Done uses imperative orbs as his weapon, to chip away at the cold outer shell of his mistresss armor: Unpin Unlace License my roving hands This is achieved through reference to the womens intellect rather than emotions; an approach typical of metaphysical poets. Metaphoric comparisons are used to objectify the woman. References to America and a Newfoundland are used to instill the image of a great discovery that has yet to be made; und erlining desires yet to be satisfied. The end of the extended metaphor is proposed by the use of an exclamation mark, emphasizing the just that has consumed Done. Reflecting the social perspectives of the time, Done also suggests that a womans beauty is profound; like a guilt book cover, but the subtle suggestion is that it is a book that should be open! For Done, beauty is not an end in itself: Like pictures, or like books gay coverings made For laymen, are all women thus arrayed.. What needs then have more covering than a man. Always, with Donnas love poetry, the emphasis is on the use of rhetorical devices that point to the unleashing of repressed desire. So it is with Andrew Marvel who sees a similar range of techniques to express his lust and to highlight the importance of the here and now. The metaphysical poets certainly believed in seizing the day! As the foregoing analysis of To His Coy Mistress and To His Mistress Going to Bed illustrate, Marvel and Done, two of the greatest exponents of metaphysical endeavor, offer a new perspective on living. They posit no religious promise of a hereafter, but suggest that heaven may be found on earth; that our faith, if we have any, is much more profitably placed in the temple of the body.